Very fashionable blended with vintage, the home’s interiors were designed in collaboration with Nantucket House Antiques and Interior Design Studios. With a cozy fire and some dark, moody parts, the workplace in this New York townhouse of art supplier Christophe Van de Weghe and his spouse, Anne-Gaëlle, designed by Annabelle Selldorf, showcases a Sarfatti light fixture, Prouvé desk, and Finn Juhl chair. The mirrors are by Line Vautrin, the artworks are by Cy Twombly and Jean Dubuffet, and the banquette cushions are clad in a Great Plains fabric. The distinguished gallery wall in this office pays tribute to one of many proprietor’s background in style merchandising.
They turned the terrace off the living room into the workplace and made positive the decor was spare. The chandelier, partly composed of paper notes, is a signature design by Ingo Maurer. Bold black lines and furnishings give this area a powerful statement. The desk in the late designer Alberto Pinto’s Rio de Janeiro home workplace is surmounted by an Almir Reis photograph of volleyball on Ipanema Beach; the parchment lamps are 1970s, and the chair is by Philippe Hurel. Here, mixing vibrant colours and earthy textures really works.
Where do you look first in this dazzling and dizzying space? Surrounded by Franz West chairs, the Émile-Jacques Ruhlmann table in Diane von Furstenberg’s Manhattan workplace/living space usually does double obligation as a desk and eating table. A Joan Miró etching, a Francesco Clemente painting, and family images are displayed on the windowsill. A good case for extra is extra on this Bel Air, California, house. Raspberry leather-based chairs by designer Kelly Wearstler deliver shade to the workplace, the place a group of photos is displayed; the tube sculpture on the desk can also be by Wearstler, and the carpet was custom made by the Rug Company. This cheerful area is filled with sharp angles whereas also maintaining a lot of enjoyable.
For her radical redesign of a Park Avenue condo, Jennifer Post carved six distinct areas out of the 900-sq.-foot area. Its decor is in line with the rest of the place, which has a minimalist feel with a strictly white palette and strategically positioned accents of color throughout. In stylist Carlos Mota’s Dominican Republic seaside home, a Picasso-impressed mural decorates a wall close to the workplace, where an Indian chair is pulled as much as a desk designed by Mota. This home office thought is perfect for your tinier members of the family. Pink is the theme of a daughter’s bed room in a Manhattan townhouse by decorators Tony Ingrao and Randy Kemper. The area is wearing Osborne & Little and Designers Guild fabrics, the chair is from Profiles, and the carpeting is by Stark.
The Orrefors bowls on the low desk are by Shelton, Mindel & Associates. Lamps from Circa Lighting flank a sunburst mirror in one of many poolhouse’s bedrooms at interior designer Alessandra Branca and Steve Uihlein’s Bahamas getaway, named Highlowe; the desk is vintage. Designer Tracey Winn Pruzan renovated the master bedroom of her Manhattan duplex with architect John B. Murray. The dark desk stands out within the white and beige bed room, giving work space a definite feel. Karin Blake mixed East Coast tradition with an eclectic point of view for the interiors of screenwriter Paul Attanasio and producer Katie Jacobs’s Beverly Hills residence. The vintage English desk, bordered by vintage stitching chairs, lends Attanasio’s office the air of a workshop.
Martyn Lawrence Bullard and Trip Haenisch created a European villa-fashion interior for a pair’s Los Angeles house designed by Harold Levitt in the early 1990s. Trip loves collections and images, so he used the house to display classic fashion pictures by Steichen, Horst, and Avedon. Sometimes gentle and brilliant is greatest—as seen in the Manhattan penthouse designed by David Mann and Brett McMullen of MR Architecture + Decor. The office is anchored by the classic Bodil Kjær rosewood desk and some key pieces of artwork. This bright, light house office is the right place to think and create. When architects Lee F. Mindel and his partner, Peter L. Shelton, redid a pair’s house in a 1910 constructing in Manhattan, they wanted to take advantage of the pure light that streamed into the nook unit.