A portray by Caio Fonseca is given delight of place in the office of a Manhattan apartment by S. Despite the rich, darkish walls, the workplace area nonetheless feels bright and welcoming, too. A hybrid residence office/grasp tub is one of the most progressive house ideas we have ever seen. For his Beverly Hills residence, photographer Steven Meisel got here up with the concept and sheathed the bathtub space in green onyx; the teak display was designed by Brad Dunning, who additionally adorned the house. Another case for moving into monochrome, this workplace goes all in on shades of blue. In the research of Jay McInerney and Anne Hearst’s New York penthouse, a colour photograph by Elliott Erwitt overlooks a Jansen desk and an Eames chair by Herman Miller. The linen upholstered daybed and Orley Shabahang carpet add an extra layer of coziness.
Inspire yourself with major colors, the place they supply the perfect burst of form and structure in this office space. The mirrored trestle desk from Liz O’Brien and Artemide’s Tizio lamp brighten the library in the Manhattan house, too. Batman, Frank Sinatra, and Mia Farrow line the back wall in Kourtney Kardashian’s Los Angeles home office–designed by Martyn Lawrence Bullard and furnished with a vintage Jules Leleu desk and Pierre Jeanneret chairs. The vibrant work on paper by Bridget Riley and the arrangement of flowers add playfulness. For all your midcentury-fashionable motivations, look to Stephen Harvey’s mezzanine office of his Sagaponack, New York, retreat.
Martyn Lawrence Bullard and Trip Haenisch created a European villa-fashion interior for a pair’s Los Angeles home designed by Harold Levitt within the early 1990s. Trip loves collections and photography, so he used the space to display basic trend images by Steichen, Horst, and Avedon. Sometimes light and bright is greatest–as seen in the Manhattan penthouse designed by David Mann and Brett McMullen of MR Architecture + Decor. The office is anchored by the classic Bodil Kjær rosewood desk and a few key pieces of artwork. This shiny, gentle house office is the right place to think and create. When architects Lee F. Mindel and his associate, Peter L. Shelton, redid a couple’s condo in a 1910 building in Manhattan, they wanted to benefit from the pure mild that streamed into the nook unit.
The delicate, monochromatic palette creates lots of gentle and freshness in this residence workplace, the place architect Richard Meier and interior designer Rose Tarlow collaborated on the renovation of a couple’s 2,500-sq.-foot Central Park house. The constructed-in shelving and drawers permit for ample group–Marie Kondo would approve. In designers Andrew Fisher and Jeffry Weisman’s residence in San Miguel de Allende, Mexico, Fisher designed the office’s desk and embellished the Queen Anne chair with shells and black paint.
The Orrefors bowls on the low desk are by Shelton, Mindel & Associates. Lamps from Circa Lighting flank a sunburst mirror in one of the poolhouse’s bedrooms at interior designer Alessandra Branca and Steve Uihlein’s Bahamas getaway, named Highlowe; the desk is classic. Designer Tracey Winn Pruzan renovated the main bedroom of her Manhattan duplex with architect John B. Murray. The darkish desk stands out within the white and beige bed room, giving work house a definite feel. Karin Blake combined East Coast custom with an eclectic point of view for the interiors of screenwriter Paul Attanasio and producer Katie Jacobs’s Beverly Hills residence. The vintage English table, bordered by classic stitching chairs, lends Attanasio’s office the air of a workshop.
A nice combo of sleekness and colour, the Arne Jacobsen pendant light paired with the golden Moroccan kilim and Navajo rug, beautify the area. Given that you may spend countless hours in your desk chair, it should have a snug cushion, lumbar support and the power to swivel and roll so you can simply reach objects as an alternative of straining for them.
If only we could all stare off into lush greenery in our residence workplace. Author Judy Blume’s Florida visitor-cottage office was decorated by Malcolm James Kutner and is furnished with an Artemide table lamp, a classic Dunbar desk, and an Eames chair by Herman Miller. The giant woven window shade is also a perfect Key West touch.